Cornelia’s outdoor installations seem to give Mother Nature the finger with their brazen defiance of gravity. Suspended in time, her works often seem to be in caught in the middle of construction themselves, an act we were never supposed to witness.
Studio 400, “White” Installation. 80,000 square feet of plastic sheeting was sliced, loomed, woven, stapled, taped and tied to provide a climbable and malleable surface in the 4,500 square foot gallery. (via)
“Using antique cash registers, telephones, beer taps, hammer-formed steel and other repurposed objects, artist Greg Brotherton constructs creepy, ghoulish sculptures that appear as if born from a collaboration between Tim Burton and Edouard Martinet.”